| A.
| A Corporate Sense of Style
|
| B.
| Buses -- Many (Audio, not Greyhound)
|
| C.
| Cellular Telephones
|
| D.
| Delay Lines for Delayed Loudspeaker Arrays
|
| E.
| Employees with Agreeable Personalities
|
| F.
| Fast and Fluid Response to Changing Plans
|
| G.
| Grace Under Pressure
|
| H.
| Hindsight in Advance
|
| I.
| Intercom Systems (Portable)
|
| J.
| Judicious Instincts (Knowing When to Speak Up And When to Remain Silent)
|
| K.
| Kevlar Shorts (for the Abuse You'll Take)
|
| L.
| Laptop Computers and Laser Printers
|
| M.
| Multiple Output Mixing Consoles, Preferably Matrixed
|
| N.
| Non-offensive Pre-Show And Post-Show Music on CD
|
| O.
| Overnight Stamina (the Ability to Endure until Sunrise)
|
| P.
| Patience (of a Saint)
|
| Q.
| (Total control of loudspeaker coverage, output and equalization)
|
| R.
| Responsible personnel and stage managers (without them, you're dead)
|
| S.
| SPL meters (for show and to know)
|
| T.
| Time & Events Schedules --(Computer Generated, Continuously Updatable)
|
| U.
| Urbane demeanor (or, at Least, the Illusion Thereof)
|
| V.
| Video Interfacing Capabilities
|
| W.
| Wireless Microphones (Many)
|
| X.
| X-overs (to Create Major Sub-Bass Response on Demand)
|
| Y.
| Years of experience
|
| Z.
| Zero Tolerance for Mistakes
|
